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Al-Layl · Makki · ayah 20 of 21

Al-Layl 92:20

إِلَّا ٱبْتِغَآءَ وَجْهِ رَبِّهِ ٱلْأَعْلَىٰ

“But only seeking the face [i.e., acceptance] of his Lord, Most High.”

Saheeh International

Essence

Strip away every other motive and one remains: he wanted the face of his Lord, the Most High, and no applause could compete.

A reflection

The busker at seven in the morning

A young man plays the violin in a railway station. At six in the evening, with crowds pouring past, he plays brilliantly, and coins land in his case. At seven the next morning the concourse is almost empty. A cleaner pushes a machine across the floor. He plays the same piece, every note as careful as before, for no one at all. Or for Someone.

The giver in this surah gives for one reason only: 'seeking the face of his Lord, the Most High'. Al-Aʿlā comes from the root for height. The Arabs called a mountain's summit al-ʿalyāʾ. And an everyday word grew from it: taʿāla, 'come'. It first meant 'come up to me'. Even a man down in the valley came to say it to one above him. The name is an invitation upward.

That is exactly what the ego resists. Pride performs for the audience on its own level: the colleague, the cousin, the follower count. That gallery is close, loud and easy to please. The Most High is above every gallery. Giving for Him means playing to an audience you cannot see, who is never impressed by the crowd you drew.

Why must deeds be for Allah alone? Is He jealous of our attention? In a hadith qudsi He answers: 'I am the One most free of need of any partner. Whoever does a deed in which he associates someone else with Me, I leave him to that partner' (Sahih Muslim). He does not need the deed. He hands it back to whoever you were really doing it for. The applause you wanted is the payment you get.

The young man at seven in the morning has understood something. The music is the same whoever is listening. Only the One above every concourse can turn it into worship.

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